… Musical meaning is understood, both in practice and in analytical reflection, not by translating
music as a virtual utterance … ) noticed its importance to the theory of representation; it goes …

… reveal the features of musical discourse as a complex text space with a diversity of its
perception, which can take the form of a fixed event, in the context of which the musical culture of a …

… are intrinsic to musical performance more generally, and … detachment of music from its
immediate context of utterance makes … throughout music history, but the modern theory of musical …

… be borrowed by music semantics. While Greenberg’s theory reduced the meaning of pictures
… by the surface of the music, we will posit that musical events can be represented with covert …

… Still, if early records of tone systems resulted from observations on musical instruments,5
much theorizing about musical performance has focused on vocal actions of humans, birds, …

… musical meaning can be found in Table 2.7.1. What of musical meaning in the theory and
practice of music … shock to the system that enables an utterance to tell us something rather than …

… formation that serves the construction of musical meaning. … , Glasersfeld introduced a theory
of active knowing that is the … ) the place of utterance; and (3) the time of utterance. It locates …

… theory, research, and musical practice and for how we conceive of the meaning(s) of music
… judgment concerning the grammaticality of an utterance consists of manipulating symbols in …

… the relationship between a musical utterance and the wider music culture in which it is
embedded … In the syllabus on logic, Stumpf defined the notion as part of the theory of judgment as …

… status of musical works should acknowledge the irreducible ambivalence of music as an “art
of the trace” and as a “performative art.” It advocates a theory of the musical work as a “…