Musical bordering, connecting histories, becoming performative
M Kielian-Gilbert - Music Theory Spectrum, 2011 - JSTOR
The practices of western twentieth-and twenty-first-century art music both embody the
potential and create the illusion of an encompassing cosmopolitan (Modernist …
potential and create the illusion of an encompassing cosmopolitan (Modernist …
Musical Bordering, Connecting Histories, Becoming Performative
M Kielian-Gilbert - Music Theory Spectrum-The Journal of the …, 2011 - search.proquest.com
Abstract Interventions by Richard Taruskin, Igor Stravinsky, and Nikolai Rimsky-Korsakov
open up ways of thinking about the" creative" potential and" performance" of historical …
open up ways of thinking about the" creative" potential and" performance" of historical …
[引用][C] Musical Bordering, Connecting Histories, Becoming Performative
M Kielian-Gilbert - Music Theory Spectrum, 2011 - academic.oup.com
THE PRACTICES OF WESTERN TWENTIETH-AND TWENTY-first-century art music both
embody the potential and create the illusion of an encompassing cosmopolitan (Modernist …
embody the potential and create the illusion of an encompassing cosmopolitan (Modernist …
Musical Bordering, Connecting Histories, Becoming Performative.
M KIELIAN-GILBERT - Music Theory Spectrum, 2011 - search.ebscohost.com
The article discusses how the gaps and interactions in musical expressions between
understanding and experience negotiated across and within borderlands of diverse musical …
understanding and experience negotiated across and within borderlands of diverse musical …
Musical Bordering, Connecting Histories, Becoming Performative
M Kielian-Gilbert - Music Theory Spectrum, 2011 - search.proquest.com
Bordering holds the potential of" becoming"-of passing through different degrees and forms
of intensity and of moving between states in metamorphic transformation. 7 Geographic and …
of intensity and of moving between states in metamorphic transformation. 7 Geographic and …