Staging Shanghai in Love and Duty 戀愛與義務(1923, 1931)
K Harris - Journal of Chinese Film Studies, 2023 - degruyter.com
This study explores the significance of the various urban locations for representations of
gender in Love and Duty—the 1931 silent film from Lianhua Studios, as well as the 1923 …
gender in Love and Duty—the 1931 silent film from Lianhua Studios, as well as the 1923 …
Our voices matter and we are golden 我们是金的: a music educator's reckoning with homeplace in the music classroom
AA Tsui - 2024 - open.bu.edu
“Our Voices Matter” is my own reckoning as a music educator with homeplace in my music
classroom using autoethnography as a method. My research is guided by the question “What …
classroom using autoethnography as a method. My research is guided by the question “What …
共同生活(kyōdōseikatsu): In the shadows of witnessing
A Goto - 2018 - summit.sfu.ca
Following up on the thousands of pages collected from testimonies by residential school
survivors and former employees between 2010 and 2015, The Truth and Reconciliation …
survivors and former employees between 2010 and 2015, The Truth and Reconciliation …
漂泊離散的女性---閱讀當代華裔美國女性作家
馮品佳 - 2008 - ir.lib.nycu.edu.tw
… In her “symptomatic and palimpsestic reading of domesticity in Bone, observing how the
intergenerational transmission of encrypted secrets structures family formation” (113), Chang …
intergenerational transmission of encrypted secrets structures family formation” (113), Chang …
村上春樹《 海邊的卡夫卡》 中暴力與性關係的魔幻寫實論述
楊雅如， 余君偉 - 2011 - ir.lib.nycu.edu.tw
本文旨在探討村上春樹(Haruki Mukarami)如何運用魔幻寫實(magical realism)論述模糊小說《海邊
的卡夫卡》(Kafka on the Shore, 海辺のカフカ, 2002)中的虛實界線,以及透過該手法呈現小說…
的卡夫卡》(Kafka on the Shore, 海辺のカフカ, 2002)中的虛實界線,以及透過該手法呈現小說…