Sojourners on the Rivers and Lakes: Chinese Independent Filmmakers as Jianghu Ke (江湖客)

C von Haselberg - Chinese Film in the Twenty-First Century, 2024 - taylorfrancis.com
As the cancellation of the Beijing Independent Film Festival in 2014 shows, critical
independent filmmaking is not welcome in the People's Republic of China. In contrast …

From Underground to Independent: Alternative Film Culture in Contemporary China. Edited by Paul G. Pickowicz and Yingjin Zhang. Lanham, Md.: Rowman & …

C Shuqin - The Journal of Asian Studies, 2008 - cambridge.org
From Underground to Independent is a timely collection of essays on the emergence of
independent filmmaking in contemporary China. With a central thesis of independent …

[PDF][PDF] Departing from Songzhuang: Interviews with Chinese independent documentary film-makers Feng Yan and Wang Wo

M Ran - Asian Cinema, 2013 - academia.edu
Boasting of the largest artist commune in the capital city or even the whole country,
Songzhuang is located at Tongzhou, an eastern suburb of Beijing. Acclaimed as the …

Negotiating in-between: on new-generation filmmaking and Jia Zhangke's films

C Shuqin - Modern Chinese Literature and Culture, 2006 - JSTOR
A significant development in contemporary Chinese cinema is the work of the new-
generation film directors. By" new-generation" I mean the young professional filmmakers …

Revisiting Jia Zhangke: Individuality, subjectivity, and autonomy in contemporary Chinese independent cinema

V Fan - The Global Auteur: The Politics of Authorship in 21st …, 2016 - books.google.com
Most international film festivals and their audiences treat Jia Zhangke as an auteur: a
filmmaker whose body of works demonstrates a logical consistency, stylistic unity, and …

Working from the Margins

S Cui - Chinese Language Film, 2005 - degruyter.com
The emergence of independent film directors and their maverick works in China since the
early 1990s has fostered a continuing interest in the politics of naming. Independent …

[图书][B] Independent Chinese documentary: alternative visions, alternative publics

D Edwards - 2015 - books.google.com
Page 1 EDINBURGH STUDIES IN EAST ASIAN FILM IndependentChInese doCumentary
alternatIvevIsIons,alternatIvepublICs Dan Edwards Page 2 Independent Chinese …

Violence, wuxia, migrants: Jia Zhangke's cinematic discontent in A Touch of Sin

Y Wang - Journal of Chinese Cinemas, 2015 - Taylor & Francis
This article examines the representation of violence in Jia Zhangke's film A Touch of Sin
(2013) in light of Žižek's theory of 'objective violence'and the wuxia tradition. Jia attempts to …

[图书][B] Jia Zhangke's' Hometown Trilogy': Xiao Wu, Platform, Unknown Pleasures

M Berry - 2019 - books.google.com
The three films comprising director Jia Zhangke's' Hometown Trilogy'-Xiao Wu (1997),
Platform (2000) and Unknown Pleasures (2002)-represent key contributions to the cinema of …

Between illusion and reality: Jia Zhangke's vision of present-day China in The World

X Shi - Asian Cinema, 2007 - intellectdiscover.com
After filming a series of young and insignificant flaneurs strolling at the margin of cities, in
The World, Jia Zhangke's attention has focused on migrant workers, who seem to be the …