[PDF][PDF] The Flickerman: Re-creating narrative as augmented reality.
L Dann - academia.edu
… in the construction of a narrative that inhabits the hybridised space that has grown out of
cyberspace and into the ‘… , The Flickerman, that began as an attempt to explore the possibilities …
cyberspace and into the ‘… , The Flickerman, that began as an attempt to explore the possibilities …
The Flickerman
L Dann - other, 2009 - research.brighton.ac.uk
… forms, the Flickerman incorporated a radio series, film, web media, mobile media and a
novel. The work explored the use of the muiltple media forms to tell construct narrative and the …
novel. The work explored the use of the muiltple media forms to tell construct narrative and the …
Only half the story: Radio drama, online audio and transmedia storytelling
L Dann - Radio Journal: International Studies in Broadcast & …, 2014 - ingentaconnect.com
… It will focus on the author’s ongoing work on The Flickerman, a piece of … at the BBC at the
point at which The Flickerman was conceived was very different. There was little chance of the …
point at which The Flickerman was conceived was very different. There was little chance of the …
The Hunger Games: Performing Not-performing to Authenticate Femininity and Whiteness
RE Dubrofsky, ED Ryalls - Critical Studies in Media …, 2014 - Taylor & Francis
… Our focus is The Hunger Games film, but we note changes made to translate the book to the
… The sound of the audience cheering and Flickerman's voice are muted at first, presumably …
… The sound of the audience cheering and Flickerman's voice are muted at first, presumably …
Meta-Cinema and Meta-Marketing: Gary Ross's" The Hunger Games", an Allegory of Its Own Making
J Keller - Studies in Popular Culture, 2013 - JSTOR
… Flickerman reminds his guest that he (Crane) has been the … the con struction and
manipulation of the narrative within the narrative itself. The inquiry into Crane's style constructs the …
manipulation of the narrative within the narrative itself. The inquiry into Crane's style constructs the …
[PDF][PDF] Only Half the Story: Radio Drama, Online Audio and Transmedia Storytelling
M Oliveira, P Portela, LA Santos - Radio evolution, 2012 - core.ac.uk
… on the author’s ongoing work on The Flickerman … the BBC have had on the work of radio
writers. It also details a research as practice case study, the online audio project The Flickerman…
writers. It also details a research as practice case study, the online audio project The Flickerman…
Media and hyperreality in the film adaptations of the Suzanne Collins' Hunger Games trilogy
M Gagnon - The fantastic made visible: Essays on the adaptation …, 2015 - books.google.com
… As television is the primary form of media within the movies, … Finally, we should evaluate the
audiences of the film and of the … given, the scene changes to Caesar Flickerman conducting …
audiences of the film and of the … given, the scene changes to Caesar Flickerman conducting …
How writing poetry and counselling combine to help a writer come to terms with life-limiting bone marrow cancer
D Simpson - Journal of Writing in Creative Practice, 2019 - intellectdiscover.com
… satirical: hearing Flickerman in my head makes me rewrite the poem to … the impact of the
first person singular narrator’s last four lines. The Flickerman sound is a satire essential to the …
first person singular narrator’s last four lines. The Flickerman sound is a satire essential to the …
11. ARE THE-ISMS EVER IN YOUR FAVOR?
I SHEPARD, IAN WOJCIK-ANDREWS - 2014 - brill.com
… the culture in which the texts were created and the shaping influence of market forces in the
production and distribution of the … interviewed by Caesar Flickerman, the television host who …
production and distribution of the … interviewed by Caesar Flickerman, the television host who …
“The Capitol Accent Is So Affected Almost Anything Sounds Funny in It”: The Hunger Games Trilogy, Queerness, and Paranoid Reading
MA Abate - Journal of LGBT Youth, 2015 - Taylor & Francis
… When he reveals his long-standing crush on her during his interview with Flickerman in
the first book, the narrator-protagonist is not simply shocked but enraged. In fact, …
the first book, the narrator-protagonist is not simply shocked but enraged. In fact, …