This written thesis is an exegesis of developments arising within my choreographic practice
and thinking through the creation and performance of the choreographic work No-How …

The notion of knowledge and knowledge society are ones of most influential ideas
circulating around lately. The fact that alike dance, knowledge can be described as volatile …

How can performing be transformed into cognition? Knowing in Performing describes
dynamic processes of artistic knowledge production in music and the performing arts …

This volume investigates performances as situated" machineries of knowing"(Karin Knorr
Cetina), exploring them as relational processes for, in and with which performers as well as …

This study is a narrative of the philosophical and chronological evolution of 'rightness' within
the context of the choreographic process.'Rightness' emerged as the central theoretical …

This paper explores the evolving landscape of choreographic research in South Africa,
focusing on the interdisciplinary nature of contemporary choreography and its reliance on …

Framing and locating the aims and scope of Choreographic Practices and The
Choreographic Lab this article provides readers with an overview of recent debates around …

Two long-term sci–art research projects are described and positioned in the broader
conceptual landscape of interdisciplinary collaboration. Both projects were aimed at …

As a performing instrumentalist and artistic researcher, I have a great interest in the nature of
knowledge inherent in musical performance. In this article, I therefore set out to explore the …

This practice-led research project defines a methodological basis for the recontextualisation
and rerouting of this artist-researcher's choreographic praxis. This was achieved via …