Proteomic approaches based on mass spectrometry have become increasingly popular for
protein binder's identification in works of art. The identification of the binder employed may …

The identification of proteinaceous components in paintings remains a challenging task for
several reasons. In addition to the minute amount of sample available, complex and variable …

A novel strategy based on in situ dual-enzyme digestion of paint layer proteinaceous
binders is introduced for faster and more confident identification, resulting in a bottom-up …

Aim of this work is to propose an analytical protocol for proteinaceous binder identification in
paintings using tryptic peptide analysis and MALDI-TOF mass spectrometry strengthened …

Identification of proteins in paintings and polychrome objects is a challenge, which requires
the development of tailored analytical approaches. In the present study, a targeted …

We recently developed a new method that uses a functionalized film, which non-invasively
extracts the proteins from different surfaces, for the identification of proteinaceous materials …

Proper identification of proteinaceous binders in artworks is essential for specification of the
painting technique and thus also for selection of the restoration method; moreover, it might …

A novel method for the analysis of proteinaceous materials present on painted surfaces was
developed by taking advantage of the adhesive ability of some fungal proteins which can …

The identification and localization of the proteinaceous binders are essential issues in
studies of painting materials and techniques, for further proposing valid restoration and …

In the history of art, artists have used many different organic compounds to dissolve
pigments and apply them onto a support to obtain a paint layer. Proteins were used with …