(Un) Belonging in the body of the chorus

K Viljoen - South African Theatre Journal, 2022 - journals.co.za
In September 2019, Mark Fleishman in collaboration with the cast created a postdramatic
performance of Sophocles' tragedy 'Antigone', entitled Antigone (not quite/quiet). One of the …

Common backcloth: Fleishman's Antigone (not quite/quiet) and Soyinka's 'The fourth stage'

L Balogun - South African Theatre Journal, 2022 - journals.co.za
Dramatists and theatre makers are often drawn to Sophocles' Antigone hence they
reimagine and recruit the Attic tragedy to serve various political and aesthetic purposes. One …

Grahamstown 2012: theatres of belonging, longing and counting the bullets

M Flockemann, J Cornelius… - South African Theatre …, 2012 - Taylor & Francis
The annual National Arts Festival held in Grahamstown commonly invites attempts to identify
thematic and stylistic trends. Given the diversity of performance styles on offer (including two …

Actor and Character in African Masquerade Performance

F Harding - Theatre Research International, 1996 - cambridge.org
Actor and Character in African Masquerade Performance Page 1 Theatre Research
International Vol. 21 No. 1 pp 59-71 Actor and Character in African Masquerade …

[PDF][PDF] LIFE: Articulating an Embedded Choreographic Process

B Snyman - wiredspace.wits.ac.za
This paper explores the evolving landscape of choreographic research in South Africa,
focusing on the interdisciplinary nature of contemporary choreography and its reliance on …

Embracing dis-ease: Imagining queer African performance

P Rademeyer - South African Theatre Journal, 2012 - Taylor & Francis
This article is a theoretical musing around ideas of queer Africanness and performance.
Butler argues that the body is always exposed to other bodies, and the social and political …

[PDF][PDF] Afro-surrealism in theatre making: An exploration of how Afro-Surrealism can influence the making of the South African play Ngilande (2019) written, directed …

NS Hlophe, MA by Coursework - 2021 - wiredspace.wits.ac.za
These are the ancestral spirits I have inherited from my father, Lucas 'Juba'. I also walk with
oZondi, Nondaba, Gagashe, Luqa, Nhlab'shile, Bhambatha kaMancinza wena owancinza …

The Untouchable Body

GM Samuel - African Somaesthetics: Cultures, Feminisms, Politics, 2020 - brill.com
A slippery, glittering mess. Enter the heavily darkened Bindery theatre and a seminude,
white male quivers centre-stage in a distinctly marked, cubed performance space. His head …

Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice

J Finestone-Praeg - South African Theatre Journal, 2007 - Taylor & Francis
This paper would like to offer a personal account of my experiences as a practitioner coming
to question notions of research through my involvement with the practice as research …

Body of questions, book of changes: Event-texts from the butoh performance work Ama-no-gawa

J Finestone-Praeg - South African Theatre Journal, 2010 - Taylor & Francis
4 May 2010: Frauke (Caroline Lundblad), Swedish butoh choreographer and performer, and
an exponent of Ankoku Butoh, has arrived to commence rehearsals for her collaboration …