In a recent strand of musicological discourse the common-sense distinction between text
and performance has turned into a dichotomy precisely as a result of the determined effort to …

In a recent strand of musicological discourse the common-sense distinction between text
and performance has turned into a dichotomy precisely as a result of the determined effort to …

The philosophical-academic discourse on music in the West has come a long way since its
beginnings in Greek antiquity; still the editor of the recently published book, Narratologie …

Recordings, whether in their original format or released as re-issues, have made an
enormous repertoire of classical music more readily accessible to listeners than ever before …

Recordings, whether in their original format or released as re-issues, have made an
enormous repertoire of classical music more readily accessible to listeners than ever before …

In the early 1990s, in the wake of studies like Nicholas Cook's Music, Imagination, and
Culture, musicologists became aware of the'gaps' between what performers do and what …

may be conceived as a layered construction about such thinking: the'general forms of critical
discourses used to represent them dialogue between the music and its interpre-tants …

In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional
musicological notion of music as writing, asserting instead that it is as performance that …

Implicit in Nicholas Cook's theories of musical performance—an important body of research
spanning 15 years—is an inner conflict concerning the ontology of music: specifically, the …

Western “art music” has long been thought of in terms of texts reproduced in performance.
This chapter, in contrast, advocates a musicology in which text and performance play equal …