To call musical recordings “countless” may not be literally accurate, but it expresses the
overwhelming abundance of the legacy of recorded sound, even in the limited field of …

The relationship of text with history is a central concern of much twentieth-century critical
theory, and it has filtered into the domain of musicology as much as any other. 1 Kristeva's …

Marshaling the so-called universal model of music, the authors examine the conceits of
traditional discursive scholarship. One of the epistemological challenges of postmodernism …

This study examines how editing might utilize an understanding of underlying paradigms or
epistemes of systems of knowledge in its critical approach to past sources of notated music …

Transdisciplinary and intermedial analysis of the experience of music Nowadays musical
semiotics no longer ignores the fundamental challenges raised by cognitive sciences …

Only a theory of intertextuality in music can resolve these questions. Conceptual clarity
becomes even more imperative if we consider the historical nature of intertextuality. In any …

At the first conference of the Word and Music Association Forum (WMAF), in 2010 in
Dortmund, Germany, one of the last given papers investigated the German song “Der gute …

" The outstanding originality of this book lies in the detail and perspicuity with which
interrelations are traced between texts, it even seems that relations sometimes work …

This chapter shows how efforts to standardise postwar notation, promoted by the Index of
New Musical Notation (1970–1974, New York), share basic assumptions with Hegel's and …

In this impressive debut, Edward Klorman presents a theory of “multiple agency” for Mozart's
chamber music, drawing together historical, theoretical/analytical, and performative …