Social constructionism in music studies
S McKERRELL - Popular Music, 2016 - cambridge.org
Social constructionism (or sometimes 'constructivism') is a broad-based epistemological
approach to understanding (largely) how talk and text work to construct our social lives. It is …
approach to understanding (largely) how talk and text work to construct our social lives. It is …
Embodied musical meaning
ML Johnson - Theory and Practice, 1997 - JSTOR
The essays in this journal issue all share an underlying concern with musical meaning. Most
of the essays examine the relation between, on the one hand, our thought and language …
of the essays examine the relation between, on the one hand, our thought and language …
Music, gesture, and the formation of embodied meaning
M Leman - Musical gestures, 2010 - taylorfrancis.com
In previous work, scholars of music have identified gesture as a core component of musical
meaning formation (Pratt 1931/1968; Truslit 1938; Coker 1972; Broeckx 1981; Hatten 1994; …
meaning formation (Pratt 1931/1968; Truslit 1938; Coker 1972; Broeckx 1981; Hatten 1994; …
[图书][B] Musical agency and the social listener
CS Palfy - 2021 - taylorfrancis.com
Music as a narrative drama is an intriguing idea, which has captured explicit music
theoretical attention since the nineteenth century. Investigations into narrative characters or …
theoretical attention since the nineteenth century. Investigations into narrative characters or …
[HTML][HTML] Musical bodies: Corporeality, emergent subjectivity, and improvisational spaces
C Stover - M/C Journal, 2016 - journal.media-culture.org.au
Interactive improvisational musical spaces (which is to say, nearly all musical spaces)
involve affective relations among bodies: between the bodies of human performers, between …
involve affective relations among bodies: between the bodies of human performers, between …
Heuristics for expressive performance
D Leech-Wilkinson, HM Prior - Expressiveness in music …, 2014 - books.google.com
This chapter asks what we can learn about expressive performance of western art music
from the ways in which performers talk about it. Music is notoriously hard to discuss: sound …
from the ways in which performers talk about it. Music is notoriously hard to discuss: sound …
Dealing with musical meaning: Towards an embodied model of music
E McDonald - Semiotic margins, 2011 - torrossa.com
The question of musical meaning is one of the great practical and philosophical cruxes of
the Western tradition especially since the rise of autonomous instrumental music in the …
the Western tradition especially since the rise of autonomous instrumental music in the …
Sound studies versus (popular) music studies
MG Quiñones - 2016 - direct.mit.edu
An interest in the use of recorded music (primarily popular music) as a sonic background or
foreground to all kinds of everyday activities—in short, what Anahid Kassabian has called …
foreground to all kinds of everyday activities—in short, what Anahid Kassabian has called …
[图书][B] Signs of music: A guide to musical semiotics
E Tarasti - 2012 - books.google.com
Music is said to be the most autonomous and least representative of all the arts. However, it
reflects in many ways the realities around it and influences its social and cultural …
reflects in many ways the realities around it and influences its social and cultural …