Art and Politics in Contemporary Latin America
RA Greeley - 2009 - academic.oup.com
2009•academic.oup.com
The year 1968 has come to have a legendary status in the post-World War II (post-WWII) era,
not simply for the revolutionary upsurge of popular protest against government political
policies (eg the United States in Vietnam; May 1968 in Paris) and government repression of
its citizenry (eg the Tlatelolco Massacre in Mexico City and the Soviet invasion of
Czechoslovakia). The year is also renowned for a renewed rapprochement between politics
and aesthetics (eg the Situationist International; Tucumán Arde; the Tupamaros''armed …
not simply for the revolutionary upsurge of popular protest against government political
policies (eg the United States in Vietnam; May 1968 in Paris) and government repression of
its citizenry (eg the Tlatelolco Massacre in Mexico City and the Soviet invasion of
Czechoslovakia). The year is also renowned for a renewed rapprochement between politics
and aesthetics (eg the Situationist International; Tucumán Arde; the Tupamaros''armed …
The year 1968 has come to have a legendary status in the post-World War II (post-WWII) era, not simply for the revolutionary upsurge of popular protest against government political policies (eg the United States in Vietnam; May 1968 in Paris) and government repression of its citizenry (eg the Tlatelolco Massacre in Mexico City and the Soviet invasion of Czechoslovakia). The year is also renowned for a renewed rapprochement between politics and aesthetics (eg the Situationist International; Tucumán Arde; the Tupamaros’‘armed propaganda’(Camnitzer, p. 47)).
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