… above, are probably already sympathetic to performance, and who view it as worthy …
performative analysis, regarding Schenkerian inquiry in particular. Secondarily, I address musicians …

… of performative versus constative speech acts.Swinkin’s view of analytical statements as
performative not only positions analysis and performance as parallel modes of musical …

… le chapitre 3 de Performative Analysis. Performative Analysis comporte une partie théorique
… essentiels de sa conception de l’analyse « performative ». La réflexion est abondante, par …

… musical performance and analysis, … analysis,” common in the history of music theory
because of the influence of scientific paradigms, are usually indicative of particular performance …

… musical performance and analysis, … analysis,” common in the history of music theory
because of the influence of scientific paradigms, are usually indicative of particular performance …

… theoretical concept of performative analysis: the idea of exploring the metaphors of structural
analysis is … , Schumann), and performative recommendations in a concluding chapter at the …

… Swinkin’s goal is to use both his performative analyses and performances with singer …
creative tool for challenging the relevance of certain music theories and for reimagining the …

… is indeed performative in a meaningful and practical sense. His “reimagining of music theory
for performance” makes a courageous contribution to the field of analysis and performance. …

… I draw on Robinson’s work for this chapter, as well as performance studies scholar Alexandra
Vazquez’s concept of “listening in detail” and sociologist Leah Bassel’s politics of attentive …

… voice derived from performance, and for performance. His compositional aesthetic melded
the performer and the performative potential of poetry into the realm of performance. Therefore…