… culture provide part of the pleasure we derive from artworks. … the pleasure we both get from
the book. Additionally, perception of value may increase my pleasure: it adds to the pleasure I …

… the artist herself). In other words, whatever else may be the reason for creating art, it is probably
at the same time the … be, with the intention of affecting the observer’s hedonic reaction to …

… on three claims about the sort of pleasure we get from art. First, in contrast to low-level pleasure,
which Christensen conceives … 2), pleasure from art is presented as a kind of higher-order …

… to say that the more stable and dependable the pleasure from occasion to occasion of
experience, the better the work as art, and that even better is when our pleasure grows steadily …

… Even though it is not produced ‘at will,’ even though it is receptive such that we cannot feel
it simply by deciding to feel it, the pleasure in art is active insofar as, when successful, it is …

… Collingwood's strictures on art as amusement will be examined more closely in the next …
he raises about the facts of the case. The thesis that art is valuable for the pleasure we derive …

… The input into the system is the artwork itself, which for the purpose of this chapter will be
limited to visual stimuli. Then, at each stage, a particular operation is performed on …

… -day art and life and their relationship, I begin with the premise … the old distinction between
art and craft-- that a work of art is "… Since art has become concerned primarily with ideas and …

… is the pleasure participants get from having the power to create something while interacting
with a work. It is also the pleasure … an artwork that stimulates pleasure in all of the categories …

… how the process of artistic valuation takes places… the pleasure we obtain from artistic practices,
performances, and works. But it also suggests that pleasure is not the only effect of the arts…