If, as several recent papers claim, we have entered a new wave of “Entanglement HCI,” then
we are still at a liminal stage prior to consensus around which sources underpin this …

The keyboard is one of the most popular and enduring musical interfaces ever created.
Today, the keyboard is most closely associated with the acoustic piano and the electronic …

When designing an augmented acoustic instrument, it is often of interest to retain an
instrument's sound quality and nuanced response while leveraging the richness of digital …

In this paper we present a new keyboard interface for computer music applications. Where
traditional keyboard controllers report the velocity of each key-press, our interface senses up …

In this paper, we reflect on the focus of “newness” in NIME research and practice and argue
that there is a missing O (for “Old”) in framing our academic discourse. A systematic review …

This thesis is about DMI (digital musical instrument) performance, its audiences, and their
perception of error. The goal of this research is to improve current understanding of how …

On several keyboard instruments the produced sound is not always dependent exclusively
on a discrete key-velocity parameter, and minute gestural details can affect the final sonic …

Our research concerns the development of biocomputers using electronic components
grown out of biological material. This article reports the development of a novel biological …

Our application of bionic engineering is novel: we are interested in developing hybrid
hardware-wetware systems for music. This paper introduces receptacles for culturing …

The EMvibe is an augmented vibraphone that allows for continuous control over the
amplitude and spectrum of individual notes. The system uses electromagnetic actuators to …