The first detailed examination of the place of pop music film in British cinema, Stephen Glynn
explores the interpenetration of music and cinema in an economic, social and aesthetic …

British films of the 1970s offers highly detailed and insightful critical analysis of a range of
individual films of the period. This analysis draws upon an innovative range of critical …

A popular British pub-quiz question (until rendered obsolete from overuse) would ask: what
was the biggest ever box-office success of Hammer Film Productions (1934–1979)? From …

This chapter continues the exploration of the British sitcom spinoff film's classic/mature
stage, aka its 'Golden Age', now adopting a thematic approach to examine how the genre …

First coined in the UK in the early 1990s as a new label for an ostensibly new, post-1979
kind and cycle of period cinema, the 'heritage film'is now firmly established as a widely used …

This chapter explores the cinematic depiction of postwar queer London, focusing on the
portrayal of queer bars and clubs in Victim (1961), The Killing of Sister George (1968) and …

This chapter examines British social realist cinema as a site of critical engagement with
domestic welfare policy regimes, analyzing how representations of the intimate lives of …

Education, 1979), pp. 71–81. Forster, Laurel,'Printing liberation: the women's movement and
magazines in the 1970s', in Forster and Harper (eds), British Culture and Society in the …

One of the principal challenges of studying 1970s British cinema is to locate original data
about distribution and exhibition. Recent work by Sue Harper, Mark Glancy and Robert …

This thesis examines the oeuvre of the British filmmaker Terence Davies between 1976 and
2011. Overall, his work from this period can be separated into two distinct categories …