What is musical time? Where is it manifested? How does it enter into our experience, and
how do we capture it in our analyses? A compelling approach among works on temporality …

In this article I demonstrate how listeners understand musical processes with their bodies,
and how their gestures can be used to build analytical models. Specifically, I draw on the …

This thesis considers how collaboration between composer and performer affects the
practice of these musicians. The established paradigm for the creation of new work in the …

The thesis explores the relationships between sound and mobility through an examination of
sound art. The research engages with the intersection of sound, mobility and art through …

While computational models of human music making are a hot research topic, the human
side of computer-based music making has been largely neglected. What are our cognitive …

Low-frequency sound on the cusp of the audible offers the possibility of redefining the way
we think about listening to music. As the perception of pitch is lost in very low-frequency …

This commentary accompanies a portfolio of compositions created between 2014 and 2018,
and describes two methods of transformative mimicry: transcription (used in the notated …

Gestural interfaces broaden musicians' scope for physical expression and offer possibilities
for creating more engaging and dynamic performances with digital technology. Increasing …

This article presents theoretical viewpoints for considering and understanding expression in
popular music singing and pedagogy from the perspective of embodiment as outlined in …

This workshop aims to introduce ICAD participants to the use of creative interaction design
methods when exploring the design of sonic interactions with computational artefacts …