Through a series of three vignettes, each of us critically reflects on how the visual arts have
come to inform our geographical questions and approaches, illustrating the possibilities for …

Since the end of the 20th century, culture in general (Zukin, 1995), and art in particular
(Miles, 1997), have been ever more present and visible in cities. Because they are …

This is my first meeting with 7-year-old Anneli and her mother. We are sitting in an empty
classroom inside the school building of Anneli, who is smiling hesitantly and answering my …

Everyday spaces represent central platforms that provide opportunities for encounters
marked by ethnic and cultural diversity, where transformations can be negotiated that rethink …

This book aims to understand the 'painful truths' of gendered violence in the city and how
women challenge it through resistance and creative practices. Drawing on an extensive …

This paper commences a geographical engagement with makerspaces, hacklabs, and other
workshop spaces which form part of a broader 'maker movement'. It examines the arts of …

These journeys up-ended what we thought we were doing when we first created the play in
Vancouver. We thought we were disseminating scholarly research on the lives and …

In the context of geography's heterogeneous engagements with the visual, we present an
experiment in doing radical intradisciplinarity in which we make a case for the possibilities of …

This paper articulates the subversive and political potential of an object-orientated view of
urban creativity. Drawing upon object-orientated philosophies, it further develops the …

This paper argues that we need to challenge transcendent modes of evaluating creative
practices in geography, both in order to question dominant ways of thinking about creativity …