In the late 1960s and 1970s, living history flowered, with new developments in research and
interpretation at sites like Plimoth Plantation and Old Sturbridge Village, and the …

Cet article examine l'affect écologiste et la représentation des catastrophes—tremblements
de terre, crues subites et cyclones—qui figurent dans Le jour du séisme (1999) de Nina …

Battlefield sites are some of the most iconic locations in any nation's store of heritage
attractions and continue to capture the imagination of visitors. They have strong historic …

This article explores the affective and gendered transmission of 'postmemory'in Garçon
manqué (2000) and Sauvages (2010) by Nina Bouraoui. These two narratives take place at …

Everyday people make use of Instagram to visually share their experiences encountering
Holocaust memory. Whether individuals are sharing their photos from Auschwitz, the United …

Seit der Jahrtausendwende1 herrscht in Deutschland ein anhaltender Geschichtsboom. Die
Art und Weise und das Maß, in dem Menschen sich mit Geschichte und Vergangenheit2 …

In recent years, the 'historical'or 'period'television drama has enjoyed particular success.
Though always popular in Britain, these programmes now attract global audiences through …

If war is represented in a museum and if the museum intends to visualize war, an immediate
representational challenge occurs. All military history museums aim to generate authenticity …

A UNESCO-listed world heritage site located in the Syrian desert, Palmyra has been an
ancient global crossroads of trade and culture. It has drawn tourists and scholars from all …

How is our memory of mega‐events structured? This article investigates the relationship
between cinema and the Olympic Games. To this end, it first unravels the historical origins of …