Objective: The present study aimed to vocally assess a group of rock singers who use growl
voice and reinforced falsetto. Method: A group of 21 rock singers and a control group of 18 …

Purpose The present study aimed to assess three different singing styles (pop, rock, and
jazz) with laryngoscopic, acoustic, and perceptual analysis in healthy singers at different …

Objective: The aim of the study was to clarify the mechanisms underlying the singing voice.
Patients and Methods: Forty-eight professional opera singers underwent flexible and rigid …

Objectives The present study aimed to assess the aerodynamic characteristics of vocally
healthy metal singers when producing growl voice or reinforced falsetto. Methods Fifty-four …

Objective Musical theater performers are a special group of elite vocal performers with a
high vocal load as they combine singing, acting, and physical performance. As they are …

Objectives To study vocal effects in singing from the pedagogical method complete vocal
technique as related to specific and discrete supraglottic structures and activities by means …

Objective To multidimensionally investigate common vocal effects in experienced
professional nonclassical singers, to examine their mechanism of production and …

Purpose The present study aimed to assess supraglottic activity in theater actors and to
observe whether they present differences compared with subjects with no voice training …

Objectives/Hypothesis The present study aims to evaluate the degree of anterior–posterior
and medial supraglottic laryngeal compression in healthy singers of different voice …

Objective The purpose of this study was to assess the voice quality and the vocal tract
function in popular singing students at the beginning of their singing training at the High …