On the premise that performances and writing can be staged, and that no staging is ever
innocent, we tell two unresolved, wonder-oriented phenomenological stories of Relaxed …

Interest in curating accessible experiences is growing among many in the Canadian arts
scene. The question of what this means has begun to drive conversations about how this …

Recently in the field of disability and performance, the term “inspiration porn” has emerged.
The term itself relates to the ways in which disabled bodies are often represented as being …

In this article Andy Kempe discusses how a nationwide project has marked a significant step
forward in improving access to the theatre for UK audiences who have hitherto felt largely …

In this mosaic, three of us assemble writings about an international arts-based research
symposium, Disability/Culture: New Grounds (The University of Michigan Initiative on …

In this co-written ethnography, we offer a co-curated account of how it feels to build,
negotiate, witness and benefit from a community of practice nurtured by the principles of …

Over the course of the 2019—2020 academic year, the British Council and Bodies in
Translation (BIT) at the Re• Vision Centre for Art and Social Justice at the University of …

On April 30, 2016, Cripping the Stage: A Disability Arts Cabaret presented “cutting-edge
disabled artists from Canada and the United Kingdom.” The event, co-hosted by Alex Bulmer …

Relaxed Performance (RP) has emerged as an arts-based praxis implemented across
sectors in response to disability and other justice-seeking communities' desire to access the …

In the introduction to Performance Studies in Canada, Laura Levin and Marlis Schweitzer
provide an overview of the sometimes fraught, sometimes symbiotic relationship between …