Since becoming a UNESCO 'City of Music'in 2008, Glasgow has sought to develop the
tourism potential of its music scene. As potential beneficiaries, accommodation providers …

The article measures the economic effects of decisions made by two agents in the cultural
and creative sector. Managers of a cultural event decide to produce it: it mobilizes a flow of …

The COVID-19 pandemic in the UK was predominantly framed as an economic crisis, one in
which the economic systems through which revenue is derived from products and practices …

On 24 June 2016, the result of the previous day's national referendum was announced–the
UK had voted to leave the European Union (EU). Following a fraught campaign, the citizens …

Popular music policy is political. Not in the (largely meaningless) sense that 'everything is
political', but rather in the sense that popular music policy involves the allocation of prized …

Contemporary live music venues are an increasingly important component of the live music
business and of cultural and social life in cities. This is particularly true for small and medium …

This article discusses the context of, and presents findings from, a project examining the live
music sector in Birmingham, UK. This research is set against the backdrop of the broader …

This report is the second in a series produced through an on-going, collaborative
programme of research being undertaken by a team at Aston University, Birmingham City …

This article reflects upon an extensive report written by Paul Carr for the Culture, Welsh
Language and Communications Committee (CWLCC), a body that recommends policy to …

El objetivo de esta investigación es determinar los factores socioeconómicos que ayudan a
predecir la asistencia juvenil a conciertos masivos de música en vivo durante el período …