I thank Rotterdam parents, teachers, practitioners and policymakers for their welcome and
kind cooperation in this research. I thank the Amsterdam Institute for Social Science …

This chapter examines the complex and often fraught scholarly relationship between cultural
policy and the emergence of what has come to be identified as the creative industries. The …

This article applies a quantitative analysis of gender diversity variables to custom data sets
of 2011 and 2016 Australian Bureau of Statistics Census data for Film, TV and Radio …

This chapter explores the expanding range of community archiving activity concerned with
the preservation of cultures, experiences and memories associated with popular music …

Princeton, NJ: Princeton University Press. Buncombe, A.(2015). 100,000 people travel every
year to stand on a corner in Winslow, Arizona, and 'Take it Easy'. Independent [Online] …

A creative enterprise (ie enterprise in the creative industries) can be understood as an
enterprise that relies principally on the creativity of individuals engaged in it. Thus, creativity …

This chapter is based on the authors' reflections on co-ordinating creative work, associated
zine workshops, and launch as part of The House that Heals the Soul, a 2017 exhibition at …

ABSTRACT I argue that a cultural bias I dub the 'Northernness Effect'impacts on perceptions
of Northern English performers and expresses a classed and gendered cultural imperialism …

This chapter focuses on the 'Madchester'music scene that emerged from the English city of
Manchester and the neighbouring city of Salford. The term 'Madchester'was enthusiastically …

This practice-led thesis takes the standpoint of a female, Northern English stand-up poet to
look at how the stand-up form can articulate and resist marginality. It draws on my …