Faces that move contain rich information about facial form, such as facial features and their
configuration, alongside the motion of those features. During social interactions, humans …

We define aesthetic emotions as emotions that underlie the evaluative assessment of
artworks. They are separated from the wider class of art-elicited emotions. Aesthetic …

Responses to surprising events are dynamic. We argue that initial responses are primarily
driven by the unexpectedness of the surprising event and reflect an interrupted and …

Although emotion expressions are typically dynamic and include the whole person, much
emotion recognition research uses static, posed facial expressions. In this study, we created …

From their very origins, psychology and sociology have each tended to follow their own path,
without taking the other into consideration. This mutual indifference is particularly …

Objectives It is commonly argued that older adults show difficulties in standardized tasks of
emotional expression perception, yet most previous works relied on classic sets of static …

Research examining children's understanding of emotional expressions has generally used
static, isolated facial expressions presented in a non-interactive context. However, these …

The majority of research on emotion expression has focused on static facial prototypes of a
few selected, mostly negative emotions. Implicitly, most researchers seem to have …

While much is known about how negative emotions are expressed in different modalities,
our understanding of the nonverbal expressions of positive emotions remains limited. In the …

Interest drives our focus of attention and plays an important role in social communication.
Given its relevance for many activities (eg, learning, entertainment) a system able to …