Music has often served as a vehicle for sexual expression. But within a musical context
saturated with many sonic phenomena, music-analytical tools can be limited in their ability to …

Traditional music theory rationalizes abnormal musical elements (like dissonant or
chromatic tones or formal anomalies) with respect to normal ones. It is thus allied with a …

This essay presents a theory of musical and verbal double entendre inspired by and
applicable to the late-period music of Milton Babbitt. Rather than assuming the …

The present project intends to understand how the experience of the alternative music scene
in Curitiba in the last five years (2017-2021) reconfigures the representations of musicians …

The site of encounter between listener and music—what we call “musical experience”—has
been and remains contested ground in music theory. How can our words responsibly and …

[1] Music theory's prevailing ontology has been one in which music is intangible, ineffable,
and unplaced—a long holdover from nineteenth-century European Romanticism. Yet, as …

Johanna Beyer (1888–1944) a composé plus de cinquante pièces entre 1932 et sa mort
prématurée en 1944. Malgré sa production prolifique, peu de recherches ont été consacrées …

Hyperpop is a culturally rich genre that is densely populated by young transgender artists.
Musicians drawn to this genre use its chaotic, excessive, and overwhelming sonic features …

This dissertation posits a praxis of border listening enunciated in Gustav Mahler's music as
an intercultural theory of listening through such topics as truth, ontology, translation, and …

This article explores an intergenerational collaboration between two Naarm/Melbourne-
based queer artist-researchers or “co-conspirators”(Halberstam, In a Queer Time 162–63) …