Smart Musical Instruments: vision, design principles, and future directions

L Turchet - IEEE Access, 2018 - ieeexplore.ieee.org
Smart musical instruments (SMIs) are a family of Internet of Musical Things devices for music
creation. They are characterized by sensors, actuators, embedded intelligence, and wireless …

The self-resonating feedback cello: interfacing gestural and generative processes in improvised performance

A Eldridge, C Kiefer - 2017 - sussex.figshare.com
The Feedback Cello is a new electroacoustic actuated instrument in which feedback can be
induced independently on each string. Built from retro-fitted acoustic cellos, the signals from …

[HTML][HTML] Self-resonating vibrotactile feedback instruments||: Making, playing, conceptualising:||

A Eldridge, C Kiefer, D Overholt, H Ulfarsson - 2021 - nime.pubpub.org
Self-resonating vibrotactile instruments (SRIs) are hybrid feedback instruments,
characterised by an electro-mechanical feedback loop that is both the means of sound …

The problem of the second performer: Building a community around an augmented piano

A P. McPherson, Y E. Kim - Computer Music Journal, 2012 - direct.mit.edu
The design of a digital musical instrument is often informed by the needs of the first
performance or composition. Following the initial performances, the designer frequently …

playing with feedback: Unpredictability, immediacy, and entangled agency in the no-input mixing desk

T Mudd - Proceedings of the 2023 CHI Conference on Human …, 2023 - dl.acm.org
Feedback is a process that is common in both acoustic and electronic musical instruments,
but rare in digital musical tools or creative digital tools more generally. This paper examines …

[PDF][PDF] Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing.

AP McPherson, YE Kim - NIME, 2010 - Citeseer
This paper presents the magnetic resonator piano, an augmented instrument enhancing the
capabilities of the acoustic grand piano. Electromagnetic actuators induce the strings to …

[HTML][HTML] The proto-langspil: Launching an icelandic nime research lab with the help of a marginalised instrument

J Armitage, T Magnusson, V Shepardson… - NIME …, 2022 - nime.pubpub.org
Historically marginalised instruments witness and bear vital stories that can deeply affect
identity and galvanise communities when revitalised. We present the proto-langspil as a …

ARCAA: A framework to analyse the artefact ecology in computer music performance

R Masu, M Bettega, NN Correia, T Romão… - Proceedings of the 9th …, 2019 - dl.acm.org
This paper presents ARCAA (Actors, Role, Context, Activity, Artefacts), a framework that
supports designers in understanding the artefact ecology in the music performance …

An electronic engineering approach for turning a Lego brick piano into a musical instrument

O Hödl - IEEE Access, 2024 - ieeexplore.ieee.org
We demonstrate and reflect on a rebuilding and electronic engineering approach to
augment and electrify a Lego brick model. Concretely, we turn the not musically playable …

Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions

L Morrison, A McPherson - Proceedings of the CHI Conference on …, 2024 - dl.acm.org
If, as several recent papers claim, we have entered a new wave of “Entanglement HCI,” then
we are still at a liminal stage prior to consensus around which sources underpin this …