The semantic description of music metadata is a key requirement for the creation of music
datasets that can be aligned, integrated, and accessed for information retrieval and …

Digital music encodings are machine-readable representations of music score documents.
Beyond the visual information captured by score images or PDFs, music encodings explicitly …

Aligning versions of the same source material has been a persistent challenge in the field of
digital libraries for musicology, and a barrier to progress. The growing number of publicly …

Close listening is a mainstay of the musicological study of performance recordings, but
paying focused, critical attention carries high cognitive overhead, making the application of …

This paper discusses the management of revisions and variants of musical works for the
context of musicological research. Domain-specific languages (DSLs) are a fundamental …

Digital musicology research often proceeds by extending and enriching its evidence base as
it progresses, rather than starting with a complete corpus of data and metadata, as a …

Medium of performance—instruments, voices, and devices—is a frequent starting point in
library users' search for music resources. However, content and encoding standards for …

Musicologists often remove all traces of the scaffolding used to construct their scholarship at
the point of completion–presenting information about bibliographic and evidential sources …

This dissertation on data-driven music theory is centered around curatorial practices
concerning the creation, publication, and evaluation of large, expert-annotated symbolic …

Abstract Johann Strauss II wrote Kaiser Walzer (Emperor Waltz), one of his most well-known
and frequently discussed instrumental works in 1889. The work, composed on the occasion …