Since the early transformation of European music practice and theory in the cultural centers
of Asia, Latin America, and Africa around 1900, it has become necessary for music history to …

A body of post-tonal compositions (including works by Berio, Birtwistle, Boulez, Donatoni,
Feldman, and Sciarrino) engage in what I term “maximalist repetition”: they employ diverse …

In the public debate, the relevance of the topics of musical interculturality and musical
globalization seems to have faded in many places, to be replaced by a technology-centered …

This thesis demonstrates the ways in which sound and sonic procedures represent the Self
and its crisis in the works of Salvatore Sciarrinio (b. 1947) and Helmut Lachenmann (b …

Opera after 1945 largely retreated from the challenge of modernism. A survey of notable
post-war music theatre locates language and its vexed relation to music as the central …

Due to its mythical and magical implications and due to its close relation to speech and
language, the human voice has always been a pivotal hinge between musical and social …

Does it make sense to refer to musical sounds as “animated beings”? What does it mean to
treat music as an essential part of our sonic reality? How do Sciarrino's music and his …

ALVATORE SCIARRINO'S RECENT MUSIC is characterized by a special type of repetition
in which brief, distinctive melodic figures are minutely and unpredictably varied across their …

Уроженец Сицилии Сальваторе Шаррино (р. 1947) является одним из самых
значительных и оригинальных западноевропейских композиторов современной …

Die mythischen und magischen Dimensionen der menschlichen Stimme und ihre enge
Verbindung zu Sprechen und Sprache hat sie seit frühester Zeit zu einem zentralen …