Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an
external rhythm, ranging from finger tapping in time with a metronome to musical ensemble …

Human interaction often requires simultaneous precision and flexibility in the coordination of
rhythmic behaviour between individuals engaged in joint activity, for example, playing a …

Music comprises a diverse category of cognitive phenomena that likely represent both the
effects of psychological adaptations that are specific to music (eg, rhythmic entrainment) and …

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied
experiences of hearing music as those that move us both consciously and unconsciously. In …

Moving to music is an essential human pleasure particularly related to musical groove.
Structurally, music associated with groove is often characterised by rhythmic complexity in …

Our sense that a waltz is" in three" or a blues song is" in four with a shuffle" comes from our
sense of musical meter. Hearing in Time explores the metric aspect of our musical …

Musical rhythm, consisting of apparently abstract intervals of accented temporal events, has
a remarkable capacity to move our minds and bodies. How does the cognitive system …

Brain development is largely shaped by early sensory experience. However, it is currently
unknown whether, how early, and to what extent the newborn's brain is shaped by exposure …

Dance has traditionally been viewed from a Eurocentric perspective as a mode of self-
expression that involves the human body moving through space, performed for the purposes …

I defend a model of the musically extended mind. I consider how acts of “musicking” grant
access to novel emotional experiences otherwise inaccessible. First, I discuss the idea of …