In this paper, we explore the 'Preservation/Heritage Values/Management'triptych, and we
propose a new method for addressing the values attributed to cultural heritage sites …

This paper reviews the development of the Wildebeest Kuil Rock Art Centre, in South Africa,
open for just over a decade. The run-up to the project's launch was not without difficulties …

The aim of this paper is to go beyond a binary opposition approach that pits preservation
against tourism development, and to determine the ways in which tourism can contribute to …

The 1972 World Heritage Convention was conceived, drafted and adopted in the aftermath
of the major social and economic changes of the first half of the twentieth century, against …

Concern about the deterioration of uKhahlamba-Drakensberg rock art extends back over a
hundred years; however, it has only been since the 1970s that there have been reasonably …

Based on research conducted in South Africa, this work revolves around the observation that
certain rock art sites (Wildebeest Kuil, Northern Cape; Game Pass Shelter, KwaZulu-Natal) …

This paper addresses the presentation of rock art to the public, and perceptions of
indigenous identity, by focusing on two rural South African rock art visitor centers. Both …

At the time of writing, 16 years have passed since the inscription of the World Heritage Site
(WHS) in the uKhahlamba-Drakensberg Park (uDP), South Africa. How has its cultural …

? La cérémonie de l'Eland interroge les enjeux patrimoniaux et identitaires associés aux
sites d'art rupestre dans le contexte sud-africain post-apartheid. Alors qu'une première …

South Africa is unique in the contemporary world in that it uses indigenous rock art images in
its major national symbols. For example, rock art appears at the heart of the national coat of …