[图书][B] Sonic virtuality: Sound as emergent perception

M Grimshaw, TA Garner - 2015 - books.google.com
In Sonic Virtuality: Sound as Emergent Perception, authors Mark Grimshaw and Tom Garner
introduce a novel theory that positions sound within a framework of virtuality. Arguing …

Being in a virtual world: presence, environment, salience, sound

M Walther-Hansen, M Grimshaw - Proceedings of the Audio Mostly 2016, 2016 - dl.acm.org
We present a theoretical model of how presence is achieved in virtual worlds, from which
future frameworks prescribing the sensory design of such worlds can be constructed …

Forceful action and interaction in non-haptic music interfaces

M Walther-Hansen, A Eskildsen - Innovation in Music: Technology …, 2024 - taylorfrancis.com
One key challenge for designing meaningful and intuitive user interfaces without haptic or
visual feedback is to provide users with a clear sense of agency similar to that which …

Force Dynamics as a Design Framework for Mid-Air Musical Instruments

A Eskildsen, M Walther-Hansen - International Conference on New …, 2020 - vbn.aau.dk
In this paper we adopt the theory of force dynamics in human cognition as a fundamental
design principle for the development of mid-air musical interfaces. We argue that this …

Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production

M Walther-Hansen - Music, Mind, and Embodiment: 11th International …, 2016 - Springer
This paper explores the concept of balance in music production and examines the role of
conceptual metaphors in reasoning about audio editing. Balance may be the most central …