Critics of the target article objected to our account of art appreciators' sensitivity to art-
historical contexts and functions, the relations among the modes of artistic appreciation, and …

In this dissertation I answer the following question: Does recent empirical work give us
reason to think that naive realism is false or that indirect realism is correct? There is a small …

In this article we analyse different types of representation of music, both from a cognitive and
a computational point of view. Whereas mental representations of music are the objects of …

As people live and move through their physical, urban, material, geographical environment,
they are constantly exposed to an endless variety of shapes, volumes, colors and sounds …

The aim of this paper is, firstly, to identify the areas of conceptual confusion about the notion
of auditory object that could benefit from a cooperation between philosophy and psychology …

Theorists have recently defended rival analyses of sound. The leading analyses reduce
sound to sensations or mental representations (proximal theories of sound), longitudinal …

This chapter is an exploration of the embodied experience of “involuntary musical
imagery”(aka “earworms”) and of the dynamics of the auditory imagination more broadly. It …

They are not “sounds” really, or at least not fully. To say that they are “sounds” is to invest
them with a kind of vibrational materiality that these imagined entities lack. Nor, I suppose …

The essay investigates the usefulness for semiotic disciplines of comparing its heuristic
results with those of the scientific and experimental disciplines, without exceeding its …

Cette thèse met en place un double mouvement de réflexion qui, d'une part, s' ancre dans
l'expérience de l'art pour penser la question politique; et, d'autre part, s' immerge dans la …