Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2
A Behan - Music Analysis, 2021 - Wiley Online Library
Research in musical performance studies has generated a healthy scepticism of the
importance of large‐scale structure to performance (in terms of both interpretation and …
importance of large‐scale structure to performance (in terms of both interpretation and …
Brahmsian articulation: Ambiguous and unfixed structures in op. 38
A Llorens - Music Theory Online, 2021 - mtosmt.org
The analysis of the structural repercussions of musicians' strategies has traditionally focused
on their handling of timing and dynamics, not only because of the correlation found in …
on their handling of timing and dynamics, not only because of the correlation found in …
Early Recorded Structures: Non-organic forms in Brahms's cello sonatas as performed by Feuermann and Casals
A Llorens - Early Sound Recordings, 2023 - taylorfrancis.com
Literature on the impact of performers' manipulations of sound on the projection and
inference of structural relations in music has tended to focus on phrase arching techniques …
inference of structural relations in music has tended to focus on phrase arching techniques …
The Recorded Brahms Corpus (RBC): A Dataset of Performative Parameters in Recordings of Brahms's Cello Sonatas
A Llorens - Empirical Musicology Review, 2021 - bhacjournal.org
This report describes the open-source Recorded Brahms Corpus (RBC) dataset, as well as
the methods employed to extract and process the data. The dataset contains (micro) timing …
the methods employed to extract and process the data. The dataset contains (micro) timing …
Composing Performances: Ernst Levy, Brahms, and the Handel Variations
D Barolsky - Revista de Especialización Musical …, 2021 - erevistas.publicaciones.uah.es
Demasiado a menudo, tanto los críticos como los historiadores o los analistas musicales
recurren a la estética y el lenguaje analítico propios del mundo de la composición para …
recurren a la estética y el lenguaje analítico propios del mundo de la composición para …
Understanding expressive intonation: Casals' Bach beyond conscience
A Llorens - Revista de Especialización Musical …, 2021 - erevistas.publicaciones.uah.es
La investigación acerca de la afinación ha pretendido explicar las decisiones de los
intérpretes en base a clasificaciones interválicas oa motivos expresivos. En el campo de la …
intérpretes en base a clasificaciones interválicas oa motivos expresivos. En el campo de la …
Onset asynchrony in Western art music: Fingers, hammers, and music theory's ears
J Dunsby, Y Rammos - Revista de Especialización …, 2021 - erevistas.publicaciones.uah.es
La asincronía melódica de ataque, por medio de la cual el elemento más agudo—o
cualquier otro—de una simultaneidad musical es percibido por el oído como adelantado a …
cualquier otro—de una simultaneidad musical es percibido por el oído como adelantado a …
[PDF][PDF] Together But Not'together': A Radical Phenomenology of Ensemble Performance
C Terepin - 2023 - kclpure.kcl.ac.uk
This thesis develops a radical alternative paradigm for thinking about classical music, and
especially about the idea of 'ensemble'. It falls into two parts. The first is a broad theoretical …
especially about the idea of 'ensemble'. It falls into two parts. The first is a broad theoretical …
[图书][B] Views on Early Music as Representation: Invitations, Congruity, Performance
R Rolfhamre, E Angelo - 2022 - library.oapen.org
Early music performance in its broadest capacity presents a compelling case of being
something in the present that is representing, presenting, enacting, re-enacting, living and re …
something in the present that is representing, presenting, enacting, re-enacting, living and re …
Una base empírica para la historia de la interpretación musical: Segovia y Bream en la segunda mitad del siglo XX
A Llorens - Súmula: revista de teoría y análisis musical, 2023 - revistasumula.org
La historiografía de la interpretación musical ha tendido a presentar a Andrés Segovia y
Julian Bream como figuras opuestas, en su forma tanto de tocar la guitarra como de …
Julian Bream como figuras opuestas, en su forma tanto de tocar la guitarra como de …