The chapter suggests that the linguistic design of Finnish second-person singular imperative
and first-person plural hortative turns is informed by the speaker's understanding of the …

In this contribution, we examine the way in which orchestra conductors use the space
around them to convey aspects of musical dynamics. In music, dynamics refers to the …

Music and sound contributions of interpersonal meaning to film narratives may be different
from or similar to meanings made by language and image, and dynamic interactions …

Making music together relies, among other things, on the mutual hearing amongst co-
performers and on the visual monitoring of each other's actions and gestures. This is better …

To play an instrument in a way that is considered “vocal” has been an emblem of artistry for
instrumental musicians in the Western classical tradition for centuries. Despite the ubiquity of …

Апстракт: Појам „музика “треба посматрати као синестезички концепт: утисци о њој не
преносе се искључиво чулом слуха, већ и чулом вида, а њено дејство може се …

Апстракт: Појам „музика “треба посматрати као синестезички концепт: утисци о њој не
преносе се искључиво чулом слуха, већ и чулом вида, а њено дејство може се …

The notion of" music" should be viewed as a synesthetic concept: impressions about it are
not transmitted exclusively through the sense of hearing, but also to the visual perception …

要旨 音楽にかかわる活動におけるエスノメソドロジー研究は, さまざまなフィールドにおいて遂行され
ている. 本稿の目的は, そのような研究文献をレビューすることで研究の広がりを提示すること …