In this paper, we explore human-centered interaction design aspects that determine the
realisation and appreciation of musical works (installations, composition and performance) …

The definition of “rock,” as well as its splintering, disintegrating, and combining into various
subgenres, has been a constant presence in popular music studies. 1 As a result, in this …

Abstract Das Aufzeichnen von Musik im Tonstudio wird bisher eher selten als eigenständige
Form des Musizierens verstanden. David Waldecker untersucht diesen Prozess mit Bezug …

This chapter discusses the use of cognitive metaphors as design tools for sound interaction
design. Building on the enactive mind hypothesis and the idea that sound is a multimodal …

This paper investigates potential differences in performance for both physical and hand-and-
gesture control within a Virtual Reality (VR) audio mixing environment. The test was …

This paper presents the first stage in the design and evaluation of a novel container
metaphor interface for equalisation control. The prototype system harnesses the Pepper's …

This thesis examines the roles of human and nonhuman actors in the transmission of
knowledge in experimental hip-hop. What I call 'experimental hip-hop'emerged with a …

In this paper we adopt the theory of force dynamics in human cognition as a fundamental
design principle for the development of mid-air musical interfaces. We argue that this …

This thesis investigates the suitability of the Audio Mixing Interface (AMI) for popular music
production. By considering the strengths and weaknesses of the AMI alongside user wants …

This research sets out to explore the 'intangible something'of a singer's purposeful creation
of particular vocal performances during recording. It investigates the actual moment when a …