What is musical meaning? Theorizing music as performative utterance

A Chung - Music Theory Online, 2019 - mtosmt.org
In this article, I theorize a new conception of musical meaning, based on JL Austin's theory of
performative utterances in his treatise How to Do Things with Words. Austin theorizes …

Retos y oportunidades en la investigación artística en música clásica

L Chiantore - Revista de Especialización Musical …, 2020 - erevistas.publicaciones.uah.es
A lo largo de las últimas dos décadas la investigación artística ha tenido una presencia
ineludible en el debate académico en torno a las artes y se ha convertido en un eje de la …

Colonialism, cosmopolitanism, and nationalism: The performativity of western music endeavours in interwar Shanghai

HLH Yang - Twentieth-Century Music, 2021 - cambridge.org
This article examines the meaning of Western music performances in interwar Shanghai
through the theoretical framework of performativity that originated in John Austin's speech …

Performers as Creative Agents; or, Musicians Just Want To Have Fun

E Klorman - Music Theory Online, 2018 - mtosmt.org
In this paper, I explore conceptions of creativity in musical performance in both popular and
Western art musics. I examine Cyndi Lauper’ s iconic performance of the song †œGirls …

Valuing the Surplus: Perspectives on Julian Horton's Article 'On the Musicological Necessity of Music Analysis', Musical Quarterly, 3/i–ii, pp. 62–104. Contributors: Kofi …

K Agawu, GK Bhogal, E Cavett, J Dunsby, J Horton… - 2023 - Wiley Online Library
Julian Horton's 2020 article on the 'necessity of analysis' delineates previous critiques of
music analysis into the performative and the historicist and counters their assumptions. He …

[HTML][HTML] Expanding the Scope of Music Theory: Artistic Research in Music Performance

M Doğantan-Dack - Zeitschrift der Gesellschaft für Musiktheorie [Journal of …, 2022 - gmth.de
Artistic Research is a contemporary phenomenon that broadly refers to rigorous and
systematic research undertaken in academic contexts by arts practitioners on their own …

Hans von Bülow and the Confessionalization of Kunstreligion

K Leistra-Jones - The Journal of Musicology, 2018 - online.ucpress.edu
Hans von Bülow often used pointedly religious rhetoric in his statements about music:“I
believe in Bach the Father, Beethoven the Son, and in Brahms the Holy Ghost of music,” he …

Why collaborate? Critical reflections on collaboration in artistic research in classical music performance

M Doğantan-Dack - Artistic Research in Performance through …, 2020 - Springer
This chapter presents a critical evaluation of the ideology of collaboration that has emerged
within academia, and its implications for artistic researchers in music performance. I …

Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2

A Behan - Music Analysis, 2021 - Wiley Online Library
Research in musical performance studies has generated a healthy scepticism of the
importance of large‐scale structure to performance (in terms of both interpretation and …

Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg's Sechs kleine Klavierstücke op. 19 (1911) in the Recordings of Eduard …

C Utz, T Glaser - Music Theory Online, 2020 - mtosmt.org
Arnold Schoenberg's Sechs kleine Klavierstücke (Six Little Piano Pieces), op. 19 (1911),
offer a fruitful case study to examine and categorize performers' strategies in regard to their …