[图书][B] O let us howle some heavy note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage

AE Winkler - 2006 - books.google.com
In the 17th century, harmonious sounds were thought to represent the well-ordered body of
the obedient subject, and, by extension, the well-ordered state; conversely, discordant …

The cultural politics of Dido and Aeneas

A Welch - Cambridge Opera Journal, 2009 - cambridge.org
Controversial efforts to find political allegory in Dido and Aeneas (c. 1689), the great
chamber opera by Nahum Tate and Henry Purcell, have obscured the opera's broader …

The Influence of Ovid in Opera

J Solomon - A Handbook to the Reception of Ovid, 2014 - Wiley Online Library
Even during the formative period, Ovid's poetry provided the subject matter for a number of
high‐profile Renaissance court performances combining ancient mythological narratives …

The rhetoric of gender in the Heroides of the French Renaissance: revisiting female exempla

S Alekou - Brill's companion to the reception of ancient rhetoric, 2021 - brill.com
Ovid's Heroides is a collection of letters written in the 1st century bce supposedly by women,
mainly from Greek mythology. 1 What is striking about this relatively early Ovidian work is …

[图书][B] Staging alliances: Redefining painting and music in early eighteenth-century France

JE Mercurio - 2006 - search.proquest.com
This dissertation explores the benefits of alliances between painting and music in the first
half of eighteenth-century France, as it recasts the Académie Royale de Peinture et de …

Female (Anti-)exempla in Plinian and Ovidian Letters: Rebellious Women's Silenced Battles

S Alekou - Mediterranean Studies, 2021 - scholarlypublishingcollective.org
This article does not discuss the intertextual allusions to Ovidian epistolography in Pliny's
letters, but puts forward the claim that women in both Ovid's and Pliny's letters are part of a …

Mark Morris's Dido and Aeneas (1989): A Critical Postmodern Sensibility

R Duerden, B Rowell - Dance Chronicle, 2013 - Taylor & Francis
In Mark Morris's Dido and Aeneas (1989) audiences witness a complex web of historical and
cultural concerns that not only overlap with those of the story's historical and aesthetic …

Purcell's Dido and the Fate of Mark Morris

J Dolven - The Opera Quarterly, 2015 - academic.oup.com
Mark Morris has said that he first imagined choreographing and dancing Dido and Aeneas
as a solo. It was the mid-1980s, and the AIDS epidemic was ravaging the dance world.“I just …

[引用][C] Didon et Énée, Purcell

N Tate, T D'Urfey, MD Khoury - 2008 - Premières loges