How can the classical Karnatik music of South India illuminate performers' and researchers'
understanding of the art music of seventeenth-century Italy, and specifically Monteverdi's …

How do musicians play and talk to audiences? Why do audiences listen and what happens
when they talk back? How do new (and old) technologies affect this interplay? This book …

This thesis demonstrates the ways in which sound and sonic procedures represent the Self
and its crisis in the works of Salvatore Sciarrinio (b. 1947) and Helmut Lachenmann (b …

El término “barroco” no aparece con un sentido artístico hasta 1734, en una breve carta
anónima publicada en mayo en el Mercure de France, donde se hace referencia a la ópera …

This document explores music composed by seventeenth-century Italian nuns written for
cloistered choirs of women. It gives information on the convents and the women housed …

Yüzyıllardır müziği anlama ve uygulama gayretleri içine girmiş, bunun sonucu olarak kendi
stilini yaratmış, akademilerini sistemleştirmiş ve klasik batı müziğinin gelişimine önemli …

University music students report that historically informed performance—especially of music
from the sixteenth to the eighteenth century—often poses considerable challenges, not least …

STYLUS PHANTASTICUS В ЗАХІДНОЄВРОПЕЙСЬКОМУ КЛАВІРНОМУ МИСТЕЦТВІ XVII–XVIII
столі Page 1 НАЦІОНАЛЬНА МУЗИЧНА АКАДЕМІЯ УКРАЇНИ ІМЕНІ ПІЧАЙКОВСЬКОГО …

Scholarly Research in Music: Shared and Disciplinary-Specific Practices, Second Edition
offers a comprehensive and detailed guide to engaging in research in all disciplines of …

Polychoral music was once popular among the sixteenth-century church composers, as we
can find in one of the biggest and most popular Renaissance motets written by Thomas …