Applications of cross-adaptive audio effects: Automatic mixing, live performance and everything in between
JD Reiss, Ø Brandtsegg - Frontiers in Digital Humanities, 2018 - frontiersin.org
This paper provides a systematic review of cross-adaptive audio effects and their
applications. These effects extend the boundaries of traditional audio effects by potentially …
applications. These effects extend the boundaries of traditional audio effects by potentially …
An automated approach to the application of reverberation
The field of intelligent music production has been growing over recent years. There have
been several different approaches to automated reverberation. In this paper we automate …
been several different approaches to automated reverberation. In this paper we automate …
[图书][B] Evaluation and modelling of perceived audio quality in popular music, towards intelligent music production
A Wilson - 2017 - search.proquest.com
This thesis addresses three fundamental questions: What is mixing? What makes a high-
quality mix? How can high-quality mixes be automatically generated? While these may …
quality mix? How can high-quality mixes be automatically generated? While these may …
Tagging and retrieval of room impulse responses using semantic word vectors and perceptual measures of reverberation
ET Chourdakis, JD Reiss - Audio Engineering Society Convention 146, 2019 - aes.org
This paper studies tagging and retrieval of room impulse responses from a labelled library. A
similarity-based method is introduced that relies on perceptually relevant characteristics of …
similarity-based method is introduced that relies on perceptually relevant characteristics of …
Adapting audio mixes for hearing impairments
T Agus, C Corrigan - 2017 - pure.qub.ac.uk
A hearing impairment can make it harder to pick apart typical soundtracks, whose dialog,
music, and sound effect have likely been mixed with normal-hearing listeners in mind. This …
music, and sound effect have likely been mixed with normal-hearing listeners in mind. This …
Reference equivalent threshold sound pressure levels for nonaudiometric headphones
V Vencovsky, F Rund, D Slegl - Journal of the Audio Engineering Society, 2018 - aes.org
For a given type of headphones the sound pressure levels of pure tones at which an
adequate number of young listeners without hearing loss just perceived the tones are called …
adequate number of young listeners without hearing loss just perceived the tones are called …
Computational Methods for Assisting Radio Drama Production.
ET Chourdakis - 2021 - qmro.qmul.ac.uk
Radio Drama is a theatrical form of art that usually exists solely in the acoustic domain
consisting of music, speech, and sound effects and is most often consumed through …
consisting of music, speech, and sound effects and is most often consumed through …
Radiorummets reverb: Preferensmapping av efterklang för inspelad talröst
S Kovacevic, S Westman Granlund - 2020 - diva-portal.org
Reverb är en effekt brukad inom bland annat musikproduktion för att mixa ljud, som flitigt
används och är universellt erkänd som ett väsentligt verktyg. Däremot, inom domänen för …
används och är universellt erkänd som ett väsentligt verktyg. Däremot, inom domänen för …
Applications of Cross-Adaptive Audio Effects: Automatic Mixing, Live Performance and Everything in Between
Ø Brandtsegg, JD Reiss - 2018 - ntnuopen.ntnu.no
This paper provides a systematic review of cross-adaptive audio effects and their
applications. These effects extend the boundaries of traditional audio effects by potentially …
applications. These effects extend the boundaries of traditional audio effects by potentially …