[HTML][HTML] Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music

P Vuust, MAG Witek - Frontiers in psychology, 2014 - frontiersin.org
Musical rhythm, consisting of apparently abstract intervals of accented temporal events, has
a remarkable capacity to move our minds and bodies. How does the cognitive system …

[HTML][HTML] The neuroscience of dance: A conceptual framework and systematic review

OF Vander Elst, NHD Foster, P Vuust, PE Keller… - Neuroscience & …, 2023 - Elsevier
Ancient and culturally universal, dance pervades many areas of life and has multiple
benefits. In this article, we provide a conceptual framework and systematic review, as a …

[HTML][HTML] Syncopation, body-movement and pleasure in groove music

MAG Witek, EF Clarke, M Wallentin, ML Kringelbach… - PloS one, 2014 - journals.plos.org
Moving to music is an essential human pleasure particularly related to musical groove.
Structurally, music associated with groove is often characterised by rhythmic complexity in …

Dynamic attending and responses to time.

MR Jones, M Boltz - Psychological review, 1989 - psycnet.apa.org
A temporally based theory of attending is proposed that assumes that the structure of world
events affords different attending modes. Future-oriented attending supports anticipatory …

[图书][B] Listening: An introduction to the perception of auditory events

S Handel - 1993 - books.google.com
Listening combines broad coverage of acoustics, speech and music perception
psychophysics, and auditory physiology with a coherent theoretical orientation in a lively …

Sensorimotor coupling in music and the psychology of the groove.

P Janata, ST Tomic, JM Haberman - Journal of Experimental …, 2012 - psycnet.apa.org
The urge to move in response to music, combined with the positive affect associated with the
coupling of sensory and motor processes while engaging with music (referred to as …

A perceptual model of pulse salience and metrical accent in musical rhythms

R Parncutt - Music perception, 1994 - online.ucpress.edu
In Experiment 1, six cyclically repeating interonset interval patterns (1, 2: 1, 2: 1: 1, 3: 2: 1, 3:
1: 2, and 2: 1: 1: 2) were each presented at six different note rates (very slow to very fast) …

Tempo and beat analysis of acoustic musical signals

ED Scheirer - The Journal of the Acoustical Society of America, 1998 - pubs.aip.org
A method is presented for using a small number of bandpass filters and banks of parallel
comb filters to analyze the tempo of, and extract the beat from, musical signals of arbitrary …

Implicit learning of tonality: a self-organizing approach.

B Tillmann, JJ Bharucha, E Bigand - Psychological review, 2000 - psycnet.apa.org
Tonal music is a highly structured system that is ubiquitous in our cultural environment. We
demonstrate the acquisition of implicit knowledge of tonal structure through neural self …

Now you hear it: A predictive coding model for understanding rhythmic incongruity

P Vuust, MJ Dietz, M Witek… - Annals of the New York …, 2018 - Wiley Online Library
Rhythmic incongruity in the form of syncopation is a prominent feature of many
contemporary musical styles. Syncopations afford incongruity between rhythmic patterns …