Introduction:'Different (Everyone is So)': conceptualisations of Russian and Russophone queer cinema in the twenty-first century
V Strukov - Studies in Russian and Soviet Cinema, 2023 - Taylor & Francis
In the introduction I conceptualise cinematic narratives of difference and queerness, and the
ways in which the queer lens has been used in contemporary Russian and Russophone …
ways in which the queer lens has been used in contemporary Russian and Russophone …
[图书][B] A Synchronous Process: Musicians' Labor and Identity as Television Industry Practice
A Vesey - 2016 - search.proquest.com
Abstract A Synchronous Process: Musicians' Labor as Television Industry Practice provides
a contemporary history of musicians' contributions to the medium. It pays particular attention …
a contemporary history of musicians' contributions to the medium. It pays particular attention …
Composing Prototypical South Africans and Re-Sounding Buried Histories: Marked and Unmarked Instruments, and Musical Hierarchies in Proteus (2003)
C Letcher - Music, Sound, and the Moving Image, 2016 - liverpooluniversitypress.co.uk
This article uses the 2003 Canadian-South African co-production Proteus to draw together a
number of strands in film musicology: a consideration of music production processes, the …
number of strands in film musicology: a consideration of music production processes, the …
Riot Dyke: Music, Identity, and Community in Lesbian Film
A Kornelsen - 2016 - repository.library.carleton.ca
This thesis examines diegetic pre-composed music in three American lesbian feature films.
Music in lesbian film is often selected to create cachet with the target audience. This cachet …
Music in lesbian film is often selected to create cachet with the target audience. This cachet …