In this essay Rubén A. Gaztambide-Fernández uses a discursive approach to argue that
mainstream arts in education scholarship and advocacy construes “the arts” as a definable …

There is no such thing as the audience for the arts. There are, of course, gatherings of
people—conspirators—who come together for a period, usually of ninety minutes or so, to …

In recent years, there has been sustained critique of the conceptual and normative
foundations of UK cultural policy–the paternalism of 'excellence and access' and the …

Physical heritage objects and assets are related to a vast amount of digital information of
different kinds, which are challenging to be communicated to visitors in understandable and …

Discourses of social justice offer the sense of a progressive and developing narrative within
the arts sector. Cultural democracy, cultural equity and cultural diversity address broad …

Creating Together explores an emerging approach to research that combines arts practices
and scholarship in participatory, community-based, and collaborative contexts in Canada …

Digital environments have expanded the forms of cultural participation. This paper has two
aims: first, to elucidate the changing definitions of cultural participation in relation to digital …

Recent years have witnessed the remarkable development of the cultural and creative
industries (CCIs) in Asia, from the global popularity of the Japanese games and anime …

As práticas artísticas comunitárias têm vindo, nos últimos anos, à semelhança do sucedido
noutros momentos históricos, a configurar-se como um campo que reúne um interesse …

Wie kann Kulturpolitik so gestaltet werden, dass–im Sinne einer Cultural Governance–nicht
nur Politik und nachgeordnet Verwaltung in Entscheidungsprozesse einbezogen sind …