Problems and prospects for intimate musical control of computers

D Wessel, M Wright - Computer music journal, 2002 - JSTOR
When asked what musical instrument they play, few computer musicians respond
spontaneously with" I play the computer." Why not? In this re-port, we examine the problems …

Gestural control of sound synthesis

MM Wanderley, P Depalle - Proceedings of the IEEE, 2004 - ieeexplore.ieee.org
This paper provides a review of gestural control of sound synthesis in the context of the
design and evaluation of digital musical instruments. It discusses research in various areas …

Data gathering in wireless sensor networks with mobile collectors

M Ma, Y Yang - 2008 IEEE international symposium on parallel …, 2008 - ieeexplore.ieee.org
In this paper, we propose a new data gathering mechanism for large scale wireless sensor
networks by introducing mobility into the network. A mobile data collector, or for convenience …

[PDF][PDF] Gestural control of music

MM Wanderley - … Workshop Human Supervision and Control in …, 2001 - recherche.ircam.fr
Digital musical instruments do not depend on physical constraints faced by their acoustic
counterparts, such as characteristics of tubes, membranes, strings, etc. This fact permits a …

[PDF][PDF] Implementing real-time partitioned convolution algorithms on conventional operating systems

E Battenberg, R Avizienis - … on Digital Audio Effects. Paris, France, 2011 - recherche.ircam.fr
We describe techniques for implementing real-time partitioned convolution algorithms on
conventional operating systems using two different scheduling paradigms: time-distributed …

[PDF][PDF] An enactive approach to computer music performance

D Wessel - Le Feedback dans la Creation Musical, Lyon …, 2006 - cnmat.berkeley.edu
Résumé Experimental computer music performance practices designed from an enactive
view of musical perception, cognition, and motor control are described. The enactive view …

[PDF][PDF] Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors.

D Wessel, M Wright, J Schott - NIME, 2002 - ccrma.stanford.edu
In this demonstration we will show a variety of computer-based musical instruments
designed for live performance. Our design criteria include initial ease of use coupled with a …

[PDF][PDF] Augmenting the cello

A Freed, D Wessel, M Zbyszynski, FM Uitti - Proceedings of the 2006 …, 2006 - nime.org
Augmenting the Cello Page 1 Augmenting the Cello Adrian Freed Dav id W essel Michael
Zbyszynski CNMAT, UC Berkeley 1750 Arch St., Berkeley, CA94709 1(510)643 9990 {adrian,wessel,mzed}@cnmat.berkeley.edu …

Violin-related HCI: A taxonomy elicited by the musical interface technology design space

D Overholt - International Conference on Arts and Technology, 2011 - Springer
Acoustic instruments such as the violin excel at translating a performer's gestures into sound
in ways that can evoke a wide range of affective qualities. They require finesse when …

[PDF][PDF] Musical applications of new, multi-axis guitar string sensors

A Freed, O Isvan - ICMC, 2000 - cnmat.berkeley.edu
Musical Applications of New, Multi-axis Guitar String Sensors Page 1 Musical Applications of
New, Multi-axis Guitar String Sensors Adrian Freed, Osman Isvan adrian@cnmat.berkeley.edu …