The phrase structure of film music themes remains virtually unexplored in scholarly
literature. This article proposes an analytical system that expands and adapts Caplin 1998 in …

Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an
intensely musical experience, one in which the soundtrack structures our interpretations and …

By exploring the relationship between music and the moving image in film narrative, David
Neumeyer shows that film music is not conceptually separate from sound or dialogue, but …

This article examines the semantic properties of several characteristic triadic shifts in the film
and ceremonial music of John Williams. These shifts result from particular modal inflections …

Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover
meaning and message in canonical American cinema. This study considers how queer …

Hearing Form: Musical Analysis With and Without the Score is a complete course package
for undergraduate courses on musical forms, with comprehensive coverage from the …

Richard Cohn's Platonic model of funky rhythms can be converted into a property that
closely matches the asymmetrical temporal successions that most frequently occur in recent …

What does it mean for film music–subordinated, contingent,'unheard'–to be plucked from its
intended context and placed at the forefront of the listener's attention? The tradition of …

The academic assessment of the products of the Walt Disney Company is usually highly
negative, drawing out their sexist, racist, and mercenary factors. Although such views are not …

Esta tese analisou os processos de significação na música de cinema tendo como
referencial teórico estudos musicológicos com ênfase cognitivista e semiótica, decorrentes …