This article contributes to histories of live music since digitalization and provides a corrective
to the neglect of liveness in scholarship on streaming and platformization. The study argues …

This chapter discusses a contemporary approach to teaching singing. It focuses on
curricular components that address the complexities of singing in a range of contemporary …

The application of technologies to the popular singing voice has enabled it to be conveyed
in a myriad of contexts. In many ways, it is the use of technology (eg reinforced sound …

The aim of this thesis is to investigate the nature and extent of workplace harassment in the
contemporary music industry. There has been no previous research on the types of …

In various cultural and historical contexts, recognition of the singer and/or the singing-self is
unquestionable. This chapter focuses on group learning and teaching in a tertiary level …

Cultural expression in contemporary music practices goes beyond standard definitions of
musical tradition. As a genre, pop music worldwide is significantly influenced by Western …

K-pop fandoms often form decentralized yet highly efficient communities, with distinct
names, member roles and organizational cultures. For international K-pop fans, these …

This article draws together the pedagogical perspectives of leading Australian contemporary
singing teachers. Each author addresses the diverse range of challenges and prospects that …

This chapter concerns live music experience design and begins with a case study of British
band Radiohead and their lead singer Thom Yorke's long-term collaboration with visual …

Teaching popular music in higher education is multidimensional. This chapter considers
how best to train students for sustainable career trajectories within the new music industries …