Internet of musical things: Vision and challenges

L Turchet, C Fischione, G Essl, D Keller… - Ieee access, 2018 - ieeexplore.ieee.org
The Internet of Musical Things (IoMusT) is an emerging research field positioned at the
intersection of Internet of Things, new interfaces for musical expression, ubiquitous music …

Open symphony: Creative participation for audiences of live music performances

Y Wu, L Zhang, N Bryan-Kinns, M Barthet - IEEE MultiMedia, 2017 - ieeexplore.ieee.org
Most contemporary Western performing arts practices restrict creative interactions from
audiences. Open Symphony is designed to explore audience-performer interaction in live …

Semantic integration of audio content providers through the audio commons ontology

M Ceriani, F Viola, S Rudan, F Antoniazzi… - Journal of Web …, 2023 - Elsevier
A broad variety of audio content is available online through an increasing number of
repositories and platforms. Resources such as music tracks, recorded sounds or instrument …

[PDF][PDF] Augmented live music performance using mixed reality and emotion feedback

R Selfridge, M Barthet - 14th Int. Symposium on Computer Music …, 2019 - academia.edu
This paper presents an experimental study into the use of mixed reality (MR) visuals
generated from performers' expression and emotion sensing augmenting a live music …

Representing modifiable and reusable musical content on the web with constrained multi-hierarchical structures

F Thalmann, GA Wiggins… - IEEE Transactions on …, 2019 - ieeexplore.ieee.org
The most commonly used formats for exchanging musical information today are limited in
that they represent music as flat and rigid streams of events or as raw audio signals without …

Mood visualiser: Augmented music visualisation gauging audience arousal

A Subramaniam, M Barthet - Proceedings of the 12th International Audio …, 2017 - dl.acm.org
In many Western performing art traditions, audiences have been ascribed a position of
receiver not bearing creative roles. Such perception of audiences sees a radical shift in …

A Study on of Music Features Derived from Audio Recordings Examples–a Quantitative Analysis

A Dorochowicz, B Kostek - Archives of Acoustics, 2018 - acoustics.ippt.gov.pl
The paper presents a comparative study of music features derived from audio recordings, ie
the same music pieces but representing different music genres, excerpts performed by …

Leveraging online audio commons content for media production

A Xambó, F Font, G Fazekas… - Foundations in Sound …, 2019 - taylorfrancis.com
With the advent of online audio resources and web technologies, digital tools for sound
designers and music producers are changing. The Internet provides access to hundreds of …

A user-adaptive automated dj web app with object-based audio and crowd-sourced decision trees

F Thalmann, L Thompson, M Sandler - 2018 - qmro.qmul.ac.uk
We describe the concepts behind a web-based minimal-UI DJ system that adapts to the
user's preference via sim-ple interactive decisions and feedback on taste. Starting from a …

Smart Musical Instruments: Key Concepts and Do-It-Yourself Tutorial

L Turchet, M Barthet - … in Sound Design for Embedded Media, 2019 - taylorfrancis.com
This chapter aims to provide sound designers with theoretical principles and practical skills
to understand and develop new musical instruments featuring intelligent sensing and …