Bibliography Page 1 Bibliography GENRE THEORY AND OVERVIEWS Alloway, Lawrence.
“The Iconography of the Movies.” Movie 7 (February– March 1963): 4 – 6. Reprinted in …

Although a long-established and influential genre, this is the first comprehensive study of the
European road cinema. Crossing New Europe investigates this tradition, its relationship with …

This book explores the relationship between tourism and the moving image, from the early
era of silent moving pictures through to cinema as mass entertainment. It examines how our …

A collection of original essays focusing on masculinity and film, particularly the
representation of European masculinity. Spilt into four sections--stars, class and race, fathers …

The European films concerning migration and diaspora are very compelling in depicting
landscapes of postmodern alienation. They persistently deconstruct iconic images of the …

The Cinema of Nanni Moretti: Dreams and Diaries provides an analysis of the work of the
most important Italian filmmaker of the past thirty years and an outstanding figure in …

Frequently understood as a typical American film genre, the matrix of the road movie is
adapted by film-makers of national cinemas across the world. As a modern audio-visual …

This collection of essays examines the themes and styles that characterize the new
millennium work of Italian film directors from different generations. These artists range from …

The premiere of Sin dejar huella/Without a Trace (Maria Novaro, MX, 2000), which charts the
journey of two women from the US-Mexico border south to Cancún, provoked immediate …

Theoretically grounded in debates surrounding the production of space and mobility in
contemporary cultural discourse, this thesis examines the role of film in these …