In From the Tricontinental to the Global South Anne Garland Mahler traces the history and
intellectual legacy of the understudied global justice movement called the Tricontinental—an …

Why have certain kinds of documentary and non-narrative films emerged as the most
interesting, exciting, and provocative movies made in the last twenty years? Ranging from …

In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the
practice of archiveology—the reuse, recycling, appropriation, and borrowing of archival …

Can comics be documentary, and can documentary take the form of, and thus be, comics?
Examining comics as documentary, this book challenges the persistent assumption that ties …

Vertigo Sea (2015) is installed, the spectator is confronted by three large screens. The
images that flow from the screens engulf and threaten to overwhelm the visitor because of …

When a filmmaker makes a film with herself as a subject, she is already divided as both the
subject matter of the film and the subject making the film. The two senses of the word are …

The impact of digital global media, geopolitical changes and migration demands new
theorizations within memory studies. Despite the growing field of media memory studies, the …

The aim of this article is to outline celebrity selfies as a photographic genre and means of
self-expression within celebrity culture. In the theoretical framework, we approach celebrity …

The (Corrigan), 12 essays: installations as, 1, 6, 14, 16–17, 247–249, 300–312, 324, 335–
339, 343; literary, 17, 56, 58, 110, 127, 131, 133, 139, 162–163, 176, 183, 187, 212, 248 …

Documentary has never attracted such audiences, never been produced with such ease
from so many corners of the globe, never embraced such variety of expression. The very …