An examination of contemporary French-language road movies within the cultural and
political context of'New Europe'Over the past two decades road cinema has become an …

As a theoretical framework, transnational cinema often describes film production, reception
and narrative that crosses national boundaries, but less often reassesses the migrant/non …

This article examines French-language films produced after, and sometimes inspired by, the
fall of the Berlin Wall and of communism in Eastern Europe. Commentators such as Alain …

This chapter takes to the sea in order to consider the opportunities and limitations of
adopting the label of cinéma-monde as a critical framework and follows various vessels as …

This chapter will consider the intersection of slow cinema with road movies that narrate
voyages to and through Europe. The two films under consideration here, Heremakono …

Film and television offer important insights into social outlooks on borders in France and
Europe more generally. This book undertakes a visual cultural history of contemporary …

Kosovar cinema is relatively young and only recently recognised as a distinctive entity, so
the literature on the subject is minimal and limited to a few pages in Robert Elsie's Historical …

How did the opening up of a binary Yalta Europe to a more diverse continent, with new
possibilities of movement across borders, change the way French directors depicted …

Following a general introduction of colonialism, this essay reflects on the growth of US
imperialism. It notes that colonialist exploitation depends on a pervasive ethnocentrism in …

In tandem with a postnational imaginary that is nurtured by the ever-present promise of
deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating …