The essay reviews the literature, mostly historical, on the relationship between science and
film-making, with a focus on the science documentary. It then discusses the circumstances of …

The rise of independent documentary film production is the most radical development in the
contemporary Chinese mediascape. This book is a sustained examination of Chinese …

This paper contributes to the literature on nation branding. We investigate how a country's
attributes, as reflected by its cinema, built travel destination attractiveness for consumers …

At a time when what it means to watch movies keeps changing, this book offers a case study
that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating …

Engaging with fiction films devoted to heroic tales from the decade and a half between 1949
and 1966, this book reconceives state propaganda as aesthetic experiments that not only …

This book traces and analyzes the transformation of the public discourse of science and
technology in Mao-era China. Based on extensive primary sources such as science …

Since the beginning of the twentieth century, modern Chinese intellectuals, reformers,
revolutionaries, leftist journalists, and idealistic youth had often crossed the increasing gap …

Twentieth-century science shared a belief with the century's revolutionary projects in a
dynamic malleability and Xuidity of form that conjoined machines to human beings. Projects …

From the early 1950s to the mid-1990s, the People's Republic of China (PRC) produced
numerous science education films. Many utilized animated effects, such as illustrations …

The post-1949 production of China's science education films has not received enough
scholarly attention. This article treats Yin Hong's Himalayan filmmaking as a prism through …